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I am now 56 years old and have been an artist all my life. My art is very varied, from unusual portraits and motorbikes/cars to religious subjects. My art is my home

Christina J Fox – Artist

I make jewellery using silver, gold and platinum, often incorporating precious and semi-precious gemstones.

Sean Botha

I create small batches of glass stones using combinations of transparent, opaque and reactive glass and fusing them in my kiln, using solar power when the sun decides to shine.  I design a setting for these stones, sometimes with semi-precious stones or found objects.  I make the settings myself in silver, bronze and brass to become distinctive, one-of-a-kind jewellery.  I will be taking part in Open Studios this year alongside Prue Pye.

Tracy Chamberlain Glass Art and Jewellery

A lacquer artist originally from Vietnam. I use urushilacquer, eggshell, and wood as main mediums. I like to explore this traditional art technique in a more contemporary form, East-West fusion. 

Thien Tran

Brilliance in Blue was created in 2022. After a career teaching Biology and Chemistry Ruth decided to blend the 2 disciplines and create artwork using the cyanotype method. Cyanotype is the name for 'blueprinting', a Victorian invention that produces images in characteristic Prussian blue and white. The 1st book to be published in the UK that did not use hand drawings was by the botanist, Anna Atkins, using cyanotypes in 1843. I use her as my inspiration. I use botanical specimens collected from the Northamptonshire countryside to make my cyanotypes. On walks with my lively Spaniel, I forage for plants which I then press to preserve; I try to consider the environment. The process itself is very environmentally friendly using UV light and water only. By altering the process using spices and natural inks I am able to create more depth and tone in the artwork. Recently I have made more abstract art. I still use the Cyanotype process but have pushed the medium beyond the blue palette into the copper, gold and green hues. Cyanotype can be used on a variety of mediums including silk and fine handmade papers. I use these to create botanical prints on scarves, lampshades and hand bound notebooks.  I could never recreate an image and never make prints. You can be assured that your Cyanotype is truly one-of-a-kind.   Cyanotype Workshops Brilliance in Blue runs several different workshops from April - September in a beautiful garden setting with a plentiful supply of coffee and homemade cake! Cyanotype cards and mounted pictures workshop. 12 April and 8th August 2026. 10.30-1.30pm. £40 Cyanotype tealight lantern workshop. 4th July 2026. 10.30-2.30pm. £50 Cyanotype Lampshade workshop. This workshop is for 2 people by arrangement. 10.30-4pm. £80 including lunch. Message me at www.brillianceinblue.com/contact Cyanotype handbound notebook workshop. 23rd May and 5 July 2026. 10.30-3pm. £55 includes equipment and instructions to make a 2nd notebook at home. Each workshop aims to teach you a little about the history of cyanotype and then you will be guided through the process to create your own unique artworks. With small group sizes of 4 you can be assured of all the support you may need. The workshops are accessible to all ages and abilities and are run from my Garden Studio in Nassington. Please book via my website www.brillianceinblue.com/workshops Bespoke Workshops Bespoke workshops can be arranged for midweek or weekends, daytime or evening. These have been popular and are a great way to get a group of friends together or to celebrate a birthday or special occasion. All I ask is that there are 4 of you (2 if making lampshades). I have gift vouchers (multiples of £10) available as well to be used against a workshop or to buy a cyanotype. Again please contact me via the website to discuss your ideas. www.brillianceinblue.com/contact Larger Group Taster Workshops. I am happy to come to your group to give a talk about Cyanotype and then do a taster session. Previously I have been booked for Ladies groups, WI groups, schools and art groups. Please email me at www.brillianceinblue.com/contact if you think your group would enjoy this.

Ruth Rigby – Brilliance in Blue Botanical Cyanotypes

I work mainly in clay, sometimes with mixed media. It’s about the earth, beauty and decay. Mixed with hideous grief, I hope it touches your soul and heart.

Roz Fridholm Ceramics

Ramona is an artist known for her vibrant & emotive acrylic paintings that explore themes of spirituality, nature & inner transformation, in bold colours, evoking feelings of joy, connection and serenity.  

Ramona M. Peiu

Trained Silversmith with over 30years’ experience, creating silver tableware and jewellery, exhibited at Goldsmiths' Fair and Art in Action, sharing traditional techniques through live demonstration and contemporary craft practice. 

Paul Lucas Designs

Jodie Swepson is a digital artist working across Peterborough and Lincolnshire. Jodie is exhibiting as part of the Deepford Artists group.

Jodie Swepson

I create an eclectic range of artworks inspired by emotions, those evoked by life events, nature, and worldwide events. I bring contemporary art to life, blending the fluidity of abstract forms with the depth of wall art that goes beyond the canvas. My work is known for the emotional inspiration behind every piece. My work  includes impressionistic watercolours, acrylics, and pencil or charcoal drawings. Each piece I create tells a story shaped by emotion and inspiration. From vibrant fluid art pieces through watercolours to dramatic charcoal drawings, my creations span a spectrum of styles. Whether you’re drawn to abstract fluidity or the depth of modern wall art, my one-of-a-kind works bring personality and character to any space. Every creation reflects my passion for turning negativity into beauty, offering positivity and reflection to all who view it.

Jocasta Art

Jaine Laine, a practising documentary photographer.Covering most subjects, portraiture, landscape and main body of work linked to Self Portraiture. Has exhibited for over 30 years across the worldalongside workshops

Jaine Laine

Farmer potter making hand-built earthenware using slips and washes, reflecting landscape, farm and garden using found objects.

David Hicks

I make slip-decorated earthenware pottery for people to enjoy using and to make them smile. Exhibiting as a guest of the Deepford Artists.

Katherine Winfrey

I enjoy working with a range of materials, including oils, watercolours and inks creating a variety of subject matter, although I do find myself drawn to local landscapes more often than not. I'm currently enjoying creating mixed media pieces using recycled materials. I enjoy using old packaging, magazines, newspapers and books to build backgrounds to add further dimension to my paintings and artworks. Often I am inspired by nature and my surrounding environment, with my artworks regularly featuring colours inspired by the sky and my physical surroundings. Recently, my work has become more abstract, utilising the use of multiple layers and removing some to reveal further depth and add texture. I believe everybody should be able to own original artworks and for this reason I price my artworks very competitively. I look forward to meeting you and discussing my work. Previous Exhibitions Include: 'Made in Peterborough' at Peterborough Cathedral 'Look, Explore, Create' at Peterborough Museum and Art Gallery 'Artists of Houghton' at Houghton Mill, Huntingdon Babylon Arts Gallery, Ely [caption id="attachment_26906" align="alignnone" width="533"] Landscape with Industry by Trina Warman[/caption] [caption id="attachment_26908" align="alignnone" width="533"] Rainforest by Trina Warman[/caption] [caption id="attachment_26907" align="alignnone" width="300"] Fen Sky by Trina Warman[/caption]

Trina Warman

Fiona Swepson is a Lincolnshire-based potter who creates wheel-thrown porcelain functional ware with a focus on texture and craftsmanship. Working primarily with porcelain, Fiona combines traditional techniques with a contemporary approach, bringing each piece to life through a delicate balance of form and texture. The texture on each piece is achieved through the intricate art of slip trailing, a technique that involves applying liquid clay in fine, controlled patterns onto the surface. This adds a unique tactile quality to the work, creating a sense of movement and depth. The finished pieces are both beautiful and functional, designed to enhance daily life with a touch of artistry.   Fiona's pottery is all about creating beautiful, everyday pieces that are both practical and enjoyable to use. Each item is designed to be a part of daily life, whether it's a mug you reach for every morning or a bowl you use at dinner. The combination of thoughtful design and handmade craftsmanship brings a little extra joy to the simple moments of life.  

Fiona Swepson

As a Designer Maker I really enjoy working in a variety of different mediums. I studied at Leicester Polytechnic in the early 80s where I gained a Degree in Silversmithing and Jewellery, and although I do still make jewellery occasionally it is not where my focus has been over the years. I was a Partner in a small business for 12 years where I designed Christmas decorations that were sold to trade. Over the last 10 years I have mostly worked in painting and printing card and paper, Creating a variety of commemorative keepsakes, cards, decorations, collage artwork and 3D boxwork. I get a lot of inspiration playing with colours, textures and patterns. More recently I have got totally obsessed with making plaster castings using a variety of local Flora and Fauna from the garden, resulting in decorative artwork to adorn walls and shelves.

Mary Stone Design

My work stems from an intuitive and subconscious process. I love the layering of paintings, textures, and mark making. This creates a history to each painting. I feel I escape to another world, but also my artwork is full of emotions from nature and my personal life. My paintings are a way to express myself in an ethereal way. I will be exhibiting at two different venues over the three weekends: 38 Norman Drive Stilton PE7 3 RS (on 28th 29th June, 5th, 6th,  12th & 13th July)

Susie Jo

I paint to make sense of the world around me and my place within it. I want to learn all I can about painting. For me the act of painting is about a voyage of discovery. On that voyage we have to say goodbye to what we think we know and travel towards the world.

Jon Phillipson Brown

I am a mixed media artist with a love of pattern and vibrant colours. I use both abstract and figurative styles to create joyful, imaginative paintings in acrylic, watercolour and gold leaf.

Jo Leonard

I am a textiles designer utilising the materials around me with a main focus in print. I enjoy layering and making texture in my designs. I love to print, paint, embroider, knit and sew. My designs are often abstract and bright.

Victoria Kelly-Gobuiwang

Italian artist and Interior Designer, inspired by classical artists, cultures and nature. Commissions accepted.

Franca Graham

'I have this thing with flowers'  Emma Eagles - Local Artist - Exploring the beauty of nature, line and light through mixed media. 

Emma Eagles

I work in oil and paint from memory. I let my images slowly appear from the base layer, concentrating on sensations and emotions rather than only the outer layer we usually see

Nicola Devas

I am a multi-disciplinary artist who enjoys exploring different materials in my paintings, as well as cardboard sculptures from discarded packaging materials. These are totally unique. I have an Honors Degree in Fine Art.

Josette Carroll

I am an artist and studio potter creating one off stoneware pots inspired by landscape and found objects. My work is often semi sculptural or pictorial.

Carole Bonney – Small Fish Pottery

I paint landscapes and portraits in traditional style in acrylic and watercolour. I'm experimenting towards oils too! After a career in commerce, I am starting out as I always wanted as an artist. Learning all the time. That also means I need to try new things out so I enjoy abstract work too. But my main buzz is in accuracy of depiction, not for everyone but it is my touchstone. My landscapes are often local scenes of our wonderful rural landscape. Sometimes ancient churches are depicted, mellow and nestled after hundreds of years in their village setting. Come and see my paintings and enjoy a coffee or cuppa with me. I have limited edition prints and greeting cards available too. Lots of unframed browser original paintings.

Will Thompson

I explore the potential relationships between colours, forms and mark-making. A variety of materials and tools are used to portray the emotions of serenity and stillness resulting from my Japanese cultural experience. In creating a piece of art, the surface is often created by pasting a collage and overlaying it with colours to produce a sense of depth. The whole process is executed intuitively in order to avoid complicated details.

Sanae Dvorjetz

I specialise in handmade silver jewellery pieces, using traditional methods working either in sheet and wire, or through wax carving and lost wax casting, to create original pieces by hand. I love working with stones, and have picked up some lovely examples over my years in the trade which make each piece unique. I carry out all work from design sketches to setting and polishing the pieces myself in my Glinton workshop, where i also undertake commission, alteration and repair work in gold, silver and platinum.

Oakland Jewellery

I paint still life and landscapes where possible directly from the subject, in my studio or en plein air in oils using the alla prima technique. I strive to capture the essence of the subject in as few marks as possible. My primary focus is rendering the fleeting quality of light in the atmosphere and in reflections on challenging surfaces. Our venue offers a garden, refreshments, classic cars, good parking and a friendly welcome. Demonstrations will take place and textile workshops will be offered.

Jerome Hunt

Comic Book, Horror and Sci-Fi Illustrator. An interactive installation, come marvel at my shed/portal to other worldly horrors!

Close Encounters Comic Cabal

Water colour and Mixed Media I began my watercolour journey during lockdown, through online tutorials. (Thank you to Jean Haines).   I’m inspired by colours, light and texture, and constantly searching for the best way to depict them on paper.   I never tire of watching the unpredictable nature of these pigments as they react with water.    Much preferring  to let  the colours  mix  and blend on the paper, rather than  making plans  and  mixing my colours in a palette.  I prefer to paint without any preliminary pencil sketch, letting the painting dictate what is needed. For me Watercolour is about the process,  and discovering what works, and most often what doesn’t!    I’m a bit of a magpie, in that I’m easily distracted by  shiny new techniques and  approaches.  Wanting to try them all.   One day I might find what my actual style actually is! I have made a number of greetings cards,  (all original artworks)  using some of  the  many different techniques I have been exploring       I love to talk about painting  and hope to inspire people  to want to have a go.   While I am exhibiting away from my  own  studio this year,  and will   have some limited  supplies for  demonstrating some of the properties of these  yummy paints,  I will be happy to discuss, the opportunity to attend  my studio in Werrington to  come and have a  go. Open other times by appointment Yes Demonstrations available Tuition offered no   Garden open for visitors   Refreshments served   Commissions accepted No

Georgina Mason

I am an artist and designer working in traditional fine art mediums like acrylic on canvas and pen and ink on paper as well as digital art and design. My art tends to be whimsical cartoon and quasi-pop art.

Daniel Lucey

dei ceramics work & inspiration My work is a celebration of my love for flowers, landscapes, textiles, nature and found objects. I am influenced by the landscape and surroundings of my home and garden in Rutland and beaches in East of England, Wales and Cornwall and produce- Nature printed ceramics Wall Plaques and mini sculptures Outdoor sculptures Organic bonsai pots A large proportion of my work is decorated using nature printing or general printing techniques and often stained to enhance the detail. My quirky wall plaques/wall hangings and mini sculptures are influenced by naive art and the work of Alfred Wallis and John Maltby.   My frost-hardy outdoor sculptures tend to have simple strong lines and a distinctive style that add interest to a garden, especially when set against dark foliage or positioned on hard surfaces.   I handmade organic bonsai pots. Each is unique with no two identical- perfectly imperfect - is how I like to think of them.   Techniques & materials I use stoneware and occasionally porcelain paper clay. Everything is slab-built or carved and sometimes finished on the wheel. Outdoor pots and sculpture are all kiln fired to 1250-1270C to make them frost-hardy. Indoor items are kiln fired to 1220 - 1250C depending on their finish.   Membership I am a member of the Anglian Potters, the Nature Printing Society, Northamptonshire and Rutland Open Studio (NROS), and Peterborough Artists Open Studios (PAOS).   PAOS 2025 I and dei ceramics will be on display at Rene Viner's studio (René Viner - Peterborough Artists Open Studios %) and garden on 28/29th June, together with Petra Wrights functional ceramics. 5/6 and 12/13 June I will be in my studio/garden in Ketton, Rutland. [caption id="attachment_24645" align="alignnone" width="534"] Porcelain nature printed mosaic picture[/caption] [caption id="attachment_26545" align="alignnone" width="400"] Seaside wall plaque[/caption] [caption id="attachment_24722" align="alignnone" width="448"] Ceramic bird wall plaque tile[/caption] [caption id="attachment_24715" align="alignnone" width="300"] Indoor mini bird sculpture[/caption] [caption id="attachment_24714" align="alignnone" width="533"] Small bonsai carved accent pot[/caption]   For more information see www.deiceramics.com

Dawn Isaac (dei ceramics)

I am a photographer and mixed media artist. I have recently got back into art after a long break due to focusing on my Photography Business. In the last four years I have fallen in love with painting again. My inspiration can come from absolutely anything. I work in acrylics, collage and inks on canvas, mixed media paper and birchwood ply boards. I work predominantly intuitively as I just love to see where the journey takes me. I will be exhibiting with fellow PAOS artists in our village of Orton Waterville and plan to serve Tea, coffee and cakes on arrival.

Dana Al-Gharabally

Barney's works are mainly 3d/sculptural in wood, metal and stone. They are an eclectic mix of forms and images, mainly figurative, based on personal whim. There is no concept or intellectual content, just joy! Barney trained at the Royal College of Art in the 1960s and has been around art and design all his life. The image shown is "A Long Ride!" and is 3/4 life sized and predominately carved Oak.

Barney Broadbent

I paint silk scarves and create designs on clothes for both adults and children. I make jewellery. I work with polymer clay, create various decorations. I also create acrylic paintings. I like to try something new and inspiring, new techniques, new directions. There are still many things I would like to learn...

Baiba Trankale

Nature has always inspired my work. When I paint, I become completely immersed in the process. It really helps me escape negative emotions. Some of my works incorporate elements of sculptural painting (three-dimensional flowers made of decorative plaster). I experiment with techniques because I want to create something new and unusual. After all, anything is possible in this world.

Alla Kamenieva

Artist and Jewellery maker My creative journey includes working with watercolours, acrylics, oils and mixed media, as well as designing and making gemstone and Sterling Silver jewellery.  My inspiration is the natural world.

Liz Hurst

Chris Moss works in visual art across a variety of media from oils and acrylics, through pastels and watercolours to cyanotypes. She is mostly inspired by the natural world and our response to it. Chris loves exploring the effect of colour and aims to provoke an emotional reaction to her art, whether that is awe at the beauty of nature or tenderness in the relationships between people. [caption id="attachment_23193" align="alignleft" width="743"] Early Morning Haze, Norfolk. Acrylics and oils.[/caption]   [caption id="attachment_21845" align="alignnone" width="800"] Bay of Fires, Tasmania. Acrylics.[/caption]   [caption id="attachment_23278" align="alignnone" width="526"] Bird of Prey. Acrylics.[/caption]   [caption id="attachment_23279" align="alignnone" width="291"] Cambridge Bicycle. Watercolours and ink.[/caption]   [caption id="attachment_23280" align="alignnone" width="474"] Stormy Lighthouse. Oils.[/caption]   [caption id="attachment_23283" align="alignnone" width="496"] Slaters Bridge, Little Langdale. Watercolours and ink.[/caption]     [caption id="attachment_23292" align="alignnone" width="400"] New Life. Watercolours.[/caption]   [caption id="attachment_23291" align="alignnone" width="503"] Times Square, New York. Oils.[/caption] [caption id="attachment_23299" align="alignnone" width="800"] Left: Frosted Beauty. Pastels. Right: Fallen Log. Pastels.[/caption]

Chris Moss

Emily is an artist who is deeply inspired by the natural world. Through observing the world around her, often through drawing from observation, she works to capture feeling and a sense of a place in her  artwork. She is currently working with a mix of different materials including painting printmaking and drawing on her iPad.

Emily Bowers

I am a contemporary Artist, my work is inspired by travel, nature and current affairs. I paint in mostly acrylic and in bright bold colour, my paintings are as large as I can get away with! I take commissions and love people to visit my studio to look at and discuss my work.

Sarah Adam

Inspired by the natural landscape and ancient sites, I create constructed textiles using hand and machine embroidery.  Found objects often embellish my work and develop new storylines. The techniques used in my textile rarely depart from a blend of slow handstitching and intense machine embroidery to accentuate forms and structures.I occasionally experiment with eco dyeing and use these pieces as focus areas in my work related to landscapes. I work intuitively with the observed ancient landscape, often drifting into memory and impressions. Soft colours,  hand dyed fabric  and threads inspire me to create images that recall places and events. I am an exhibiting textile artist with the 'Exquisite Heritage' mixed media group . We had exhibitions in 2017 and 2018, the latter at Peterborough Cathedral, and were working towards our next exhibition when the pandemic slowed us down. I work in a studio at home, but my handstitching is portable and follows me everywhere, travelling with it brings change of perspective, colour and the freedom to change ideas when faced with new imagery is always a delight. I keep sketchbooks with drawings and samplers to refresh ideas. This  year I am a member of Textile.org and have a piece in their archive after working through one of their workshops. I enjoy teaching, and inspiring others has been a joy during the difficult pandemic time. As a result of this I have textile slow stitch friends in a community that is now world wide to exchange ideas with.   The rhythm, pattern and repetition of hand stitching has accompanied me through the years ,taking various forms in creative textile pieces; in 2D, 3D , costume design and garment construction. My formal background is a Fine Art degree with a PGCE in teaching. I finished my teaching career as a Head of Department that specialised in Textiles.

Liz Hunt

Handmade chairs from green wood Teas and cakes in the garden

Gordon Monk

A Scottish artist specializing in painting, drawing and print making.My work is largely figurative, I use symbolism and depictions of the every day to tell stories and communicate ideas. I am interested in what can be read and implied from an object, a face or a place and the resulting assumptions and imagined narrative. During the first lock down I began to explore portraiture, rediscovering acrylic paint. I have since continued to use acrylic paints to depict more ambitious compositions and narratives, alongside daily drawing. I take inspiration from current affairs, popular culture, my own experiences, music,literature and art itself-often depicting or referencing other artists and artworks.

Chris Wells

I design handmade jewellery in a range of styles using semi precious stones. Each piece is unique and I enjoy working with customers to make bespoke pieces for special occasions. My names Bridget and I am a jewellery designer. I have been a lover of design all my life and I am fortunate enough to have the opportunity to indulge in my passion and make jewellery for others to enjoy! I started my business over 10 years ago and have loved expanding it over time. I use a wide variety of materials but my main love is the use of semi-precious stones. I look forward to meeting new people each year at this fabulous open house event Semi precious jewellery designer-offering everything from necklaces through to bag charms, all handmade, one off pieces, to suit all budgets   https://www.facebook.com/share/16aADQcNyU/

Bridget Bradley Designs

Welcome to Open Studios 2025. Do you know my work? If so I'm sure I'll see you during open studios again, can't wait to catch up. If not, I hope you appreciate what I do and look forward to introducing you to some of my memories. Each drawing is created initially in a few minutes and captures whatever happens in front of me. Completing them is another story and can take a lot longer. I'm exhibiting with Jeni Cairns and we're looking forward to another wonderful few weekends of Open Studios. I'm so grateful to Jeni to give me space and provide her beautiful garden for us to relax in. Life has no meaning for me without creativity. Illustration is what I love. Since moving to Peterborough over ten years ago I've practiced quick illustration of everyday life as it happens, usually from one of the hundreds of benches around the city of Peterborough. I love that I have something so creative in my life. My work is very loose, illustrative and distinctive. As well as bench views I paint on fabric and my practice includes weekly mindful drawings. Some of my photos of my work leave a lot to the imagination so you'd be very welcomed if you came to visit open studios and see them in person. Jeni is a wonderful natural gardener so they're lots for everyone. Come chat, wander and have refreshments, not forgetting all the conversation in the world, if you want it, about art, life and nature.   Looking forward to another great open studios. Best wishes, Lynne

Lynne Collins

I have been creating for many years. I graduated from the University of Life Sciences in Poland. There I began to see the beauty in nature. I started designing gardens. I have painting deep in my soul, and I started painting here in England. I see joy in a colorful garden and want to bring the same mood to the gardens. Many call my style as close to Abstract Impressionism. During my studies, I began to explore Europe in search of inspiration. The German Black Forest, the French Montmartre in Paris, vast fields of tulips in the Netherlands, the Basque culture in San Sebastian, the world of art galleries in London, and finally, the artistically sensitive society of Artists in Peterborough - all of this influenced my charming way of treating colors as a reflection of my mood at the moment. Painting is one of the elements of the sensitive person's environment. Added to it are the plants in the garden, their scent and shape. Sculptures upon which a curious robin always perches, showing off its reddish breast. And woven into all of this are the Lilliput Line cottages, which I collect - completing the enchantment. I invite you to visit my paradise.The mentioned painting works best in the environment of people seeking tranquility and understanding of their surroundings and themselves. In the disorderly colors and techniques, they can find their own memories and solace for their souls. That's why over 20 of my paintings are a constant therapeutic element on the walls of the Central Medical Centre in Peterborough. They immerse patients in contemplation and surprise. Such is also the aim of my life: to provide people with art in a form that makes them feel good. This ensures a well-designed environment both in the garden and at home or work. https://youtu.be/-WV78vhEWEA                  

Jaroslaw Jacek Sokol

[caption id="attachment_27012" align="alignnone" width="300"] The Way In[/caption] [caption id="attachment_27027" align="alignnone" width="336"] Abstract 7[/caption] Largely self-taught, I am inspired by nature and ordinary life around me. I work mainly in oils, but have ventured into watercolour and pastels occasionally. I have always loved the feel and texture of oil paint on the canvas. In recent years I took the opportunity to learn more about the history and classical approach to oil painting and enrolled for a one year course at the Norfolk Painting School. I have drawn inspiration from artists, such as Caravaggio, Turner, Sorolla, Joan Eardley and the Scottish Colourists. For PAOS 2025 we are centrally located in Peterborough, close to other PAOS exhibitions. [caption id="attachment_26992" align="alignnone" width="538"] Crossing[/caption] [caption id="attachment_27031" align="alignnone" width="318"] Abstract 11[/caption] [caption id="attachment_26986" align="alignnone" width="294"] Standing Proud[/caption] [caption id="attachment_26994" align="alignnone" width="305"] Evening Stroll[/caption] [caption id="attachment_27013" align="alignnone" width="479"] Blue Moon[/caption] [caption id="attachment_27025" align="alignnone" width="320"] Abstract 5[/caption]

Stella Poole

A brief introduction to the artist and her work Lisa Helin: Mixed Media Artist About the artist Lisa Helin is a mixed media artist who explores the themes of nature, migration and imagination in her work. She has a BA in contemporary art from Nottingham and a masters in curating from Goldsmiths. Lisa’s first role was as the visual arts curator at Peterborough Museum and Art Gallery, were she support artists in creating work, exhibiting work, and supporting them to get their work out there. Lisa's interest in art began at an early age, when she used to draw and paint animals and plants in her sketchbooks. She was fascinated by the diversity and beauty of the natural world, and wanted to capture it in her own way. She also developed a passion for travelling and learning about different cultures and places, which influenced her choice of materials and themes in her later work. Artistic practice Lisa's artistic practice spans painting, paper cuts and taxidermy butterfly and moth installations. She creates entomological installations of flora and butterflies from imagined locations, taking inspiration from nature and the environment. Her insects and flowers transcend borders and pass freely between countries with scant regard for rules of immigration or the effects of biodiversity. She uses gouache, acrylic ink and paint on paper and vintage maps and atlases to create her intricate and colourful compositions. Lisa's work is a reflection of her personal journey and identity, as well as a commentary on the global issues of climate change, migration and conservation. She uses the motif of the butterfly as a symbol of transformation, resilience and freedom, as well as a reminder of the fragility and interdependence of life. She also incorporates elements of fantasy and whimsy in her work, creating imaginary landscapes and scenarios that invite the viewer to explore and question their own perceptions and assumptions.    

Lisa Helin

  DEE-ZYN JEWELLERY - HAND-DESIGNED UNIQUE JEWELLERY Dee-zyn Jewellery was created by myself, Deanne Bullimore or Dee,  back in 2008. I have been designing and creating silver jewellery for over 15 years now. After completing a silversmith course back in 2010, I decided to explore PMC (precious metal clay) and completed a diploma in this... However, I still felt as though I was not quite there with what I wanted to produce. Finally, I found Wire Sculpture Jewellery, creating twists and swirls to shape and form the wire to encase gemstones within, thus creating completely unique one-of-a-kind pieces using only my hands and small tools. NO chemicals or soldering!!! Consequently, I fell completely in love with this, and went on to complete 6 Master Class Courses, learning the skills and techniques needed to become an expert in the field. As a result, each piece of jewellery I create is made completely by hand. Setting stones within intricate wire swirls and wraps, I focus on the detail and one-of-a-kind design using master wire sculpting techniques, making every piece truly unique. I am an international seller, selling online as well as at craft fayres, wedding fayres, trade fayres and galleries.   DEE-ZYN WIRE JEWELLERY SCHOOL Dee-zyn Jewellery also runs an Inclusive Jewellery School, empowering others to have a go and learn to create their own beautiful jewellery using the same techniques I fell in love with. There are many workshops and courses that provide the knowledge and skills needed to create different styles of jewellery. My motto is that 'everyone can make jewellery', which I wholeheartedly believe. The classes are suitable for all ages and abilities, from complete beginners to those looking to learn new skills and techniques, or even to brush up on their current jewellery-making skills. Almost all classes run on weekday evenings or weekends, and prices start from just £10 depending on the class. Dee-zyn Jewellery School is a fast growing independent jewellery training centre based in Peterborough, Cambridgeshire. With over 30 classes running each year, from beginners to Masterclass, there are plenty to choose from. The classes are run from our fully equipped jewellery studio at Studio 8 in Fenlake Business Centre, Fangate, and sometimes, if the class is big, we move to Studio 30. There is something at Dee-zyn Jewellery School for everyone. www.dee-zynjewellery.com/workshops   INCLUSIVE CLASSES We also run a selection of workshops which are called 'Wellbeading'. These workshops focus on a range of groups. Jewellery making for mental health, a therapeutic beading class that will have you relaxed and in the moment in minutes. Sensory workshops for people with learning disabilities, sensory processing disorders, ASD and 'just because'. These include aromatherapy workshops, chewy bead workshops and emotion bracelets. With numerous Health and Social care qualifications and training, Dee-zyn jewellery is able to provide extra special support to our extra special students, enabling everyone to have a go at making their own amazing jewellery. Support examples we can offer include: 'Hand under Hand' support, providing symbol cards, using basic Makaton or BSL signs, among others. Find out more on the website or call for more information. 01733 265249   JEWELLERY MAKING TASTER WORKSHOPS DURING POAS 2026 Each day of PAOS, there will be taster sessions where you can have a go at making an item of jewellery.  These are all at discounted prices which include all materials, tuition, and use of tools. Beads and Gems available to purchase on the day Taster sessions last for around 30mins to an hour, and will be held on:   June Saturday 27th - Rose Ring Making                               1-1.30pm             30 mins ish Sunday 28th - Mini Cabochon Pendant Making      1-1.30pm            30 mins ish July Saturday 4th    - Drop bead Hooped Earrings              1-2pm                  1 hour ish Sunday 6th    - Hammered Drop Earrings                  1-1.30pm             30 mins ish   For more information about each workshop or to book a seat, please go to www.dee-zynjewellery.com/workshops If you have any questions or require further information, email me at: dee-zyn@hotmail.com or contact me on 01733 265249 There are 10 seats around the jewellery bench, and once the spaces have gone, they've gone!   PARKING is available in the business park.      

Dee Bullimore – Dee-zyn Jewellery

In my work I use water colours for clarity and transparency, and pastels for animal portraiture. When painting land and seascapes I enjoy using both acrylics and oils. The way light strikes the clouds, an atmospheric scene, sheen on water all inspire me to paint. To capture these lucid effects I mainly use oil and water colour paints. [caption id="attachment_21834" align="alignnone" width="560"] Blue Lagoon[/caption] I exhibited this year at Stamford Contemporary Arts Gallery with Stella Poole. We are in a central Peterborough location, close to other PAOS venues, and will be offering light refreshments.

Cherry Hadley

[caption id="attachment_22775" align="alignleft" width="389"] Bark like vases in stoneware. Hand formed with slip and sodium silicate to make broken bark type texture[/caption] I have been potting for about 10 years now. Using lots of different types of clay. I use thrown and hand building techniques.  I love Sculpture. Looking to my natural surroundings for inspiration for both Sculpturing and domestic ware pots. I also enjoy Pyrography. I take my inspiration from nature and animals around me.  

Liz Davies

  Welcome to my Art Every single work of art ever made in the world has been influenced by images and ideas that came before it. I enjoy the challenge of reclaiming, re-using and re-purposing unwanted items that have come to end of one life, into original art and functional items, with a new purpose. 'Reclaim'   ‘Reclaim’ is a series of artworks comprising acrylic painting and collage on rustic reclaimed wood, incorporating recycled steel, unwanted garden ornaments, preloved jewellery and found items from the local landscape. 'Heritage'  Sourcing wood panelling from local Victorian and Manor houses, my  collection takes discarded wood to give new life into household items with a purpose; utensil pots, dried flower vessels, coasters, storage boxes and wildflower wall vases. 'Shingles'  My latest collection is on reclaimed, slate roof tiles, using the broken raw edges to influence the design and artwork. Something is created, nothing is destroyed, everything is transformed Saving the planet one piece of art at a time. I hope you enjoy the images here and on my website www.karenharrisonart.com   @karenharrisonart Stockists: The Place, Stamford PE9 2DL Corn Exchange Cafe & Shops, Stamford PE9 1PX Baytree Owl and Raptor Centre, Weston, Spalding PE12 6JU Originals and Prints for Sale. Commissions Taken.                  

Karen Harrison

I am a wood-turner using mostly local sourced hardwoods which I carve into intricate sculptures, adding texture and colour using spirit stains and pyrography

Jon Paine

I make jewellery specialising in chain maille and wire work. I use silver plated copper wire to make all of the component parts including all the jump rings which are weaved together to make the final piece. I find it fascinating that such lowly ingredients can make such beautiful jewellery. I add crystals and beads to add bling and colour which helps to make each piece truly unique.    

Jenny Sheldrake

Landscape based work in paint and ink on paper. Printmaking is mostly serigraphy (screenprinting). Mostly landscapes with birds in. Access includes four well-spaced steps in garden

Carry Akroyd

My Passion is creating. My art is constantly evolving, experimenting with various effects that evoke emotions and bring back memories, with an interest in human connections and physical body shapes, exploring a wide range of issues with a distorted sense of realism. I paint using texture and colour, working with oils, mixed media on different surfaces, with a sense of “about” rather than “of”. I have studied with award winning artist, Martin Kinnear, exploring classical and modern oil painting, referencing painters throughout history to discover how they created their work. I have exhibited in London, Cambridge, Peterborough, Ely, Wisbech, Sleaford and Stamford. I work from my studio in Crowland Lincolnshire. I have appeared on Sky Arts Landscape Artist of the Year. I’m Founder of “Artists of Crowland” Facebook and art group and I’m a member of The Deepford Artists and The Lincolnshire Artists Society. I am exhibiting with THE DEEPFORD ARTISTS  28th-29th June at the Wilfrid Wood Hall, Barnack, Stamford ,PE9 3DZ. I will be displaying my latest work inspired by the theme of HOME. Taken from my memories of places I've lived or visited . Created on a large canvas first using texture and writing, then cutting the canvas to produce smaller paintings.                   ING Discerning Eye Exhibition 2024, Mall Galleries, London Espacio Art Gallery Group Show, London [caption id="attachment_26431" align="alignnone" width="406"] Pop-up gallery Blonde Beet Stamford[/caption]          

Wendy Quinnell

I am a mixed media, self taught artist, with a passion for Polymer Clay, although I work with many mediums, polymer and other clays are my favourite mediums to work with. My work is very much intuitive and process led.   I take inspiration from abstraction, bold shape & colour, organic forms and definitive textures. I find absolute joy and emotional connection in the art of creating, that nothing else can give.   [caption id="attachment_24949" align="alignleft" width="382"] Polymer Clay - Texture and relief work in progress...[/caption]  

Amy Wright – Polymer Clay and Mixed Media Artist

[caption id="attachment_23920" align="aligncenter" width="600"] Gaudi Inspired Commission[/caption] I took early retirement after 30+ years as a primary school teacher where one of my roles was invariably art co-ordinator - I have always had a bit of an arty streak! I became interested in mosaics when my head teacher asked me to make one for the school with some lovely tiles which had been donated. Having only ever made mosaic patterns using paper squares in the classroom, the task of proper mosaicking was rather daunting. However after a lot of thought, problem solving and help from some children, a lovely mosaic was conceived and produced which still hangs outside the school. That was in 2006. Since leaving teaching I still find the whole process of designing, sorting, gluing, grouting, cleaning and finishing a piece to be extremely therapeutic, rewarding and addictive. I now have my own "studio", attend regular craft fairs and take on big and small commissions. My inspiration comes from where I am "at the moment". My fish and all things seaside happened after a trip to Southwold. The birds and flowers came after a walk through our local bluebell woods. I love scouting around charity shops and vintage markets - always on the lookout for that something special I can use! Quirky glass beads are a favourite find. [caption id="attachment_25682" align="aligncenter" width="519"] Warkworth Castle, Northumberland[/caption] [caption id="attachment_6074" align="aligncenter" width="600"] Beach Huts[/caption] [caption id="attachment_7514" align="aligncenter" width="600"] Mosaic Letters[/caption]   [caption id="attachment_23922" align="alignright" width="256"] Water Lilies[/caption] [caption id="attachment_21757" align="alignleft" width="389"] Feature Window Commission[/caption]  

Alison May Parry – mayimosaic

Self taught artist, working in Acrylic and oil paints,covering all subjects but I love nature, so tend to paint animals, birds and flowers, due to the amazing colours nature has to offer.

Ali-marie Black

I create contemporary functional ceramics using traditional techniques. My forms are hand-thrown using stoneware clay and decorated with glazes that I develop myself. I teach ceramics at local teaching studios. Open garden Refreshments offered

Petra Wright Ceramics

Designer and maker of jewellery using freshwater pearls, gemstones, handmade glass beads and crystals. Sourced from my extensive collection that I have gathered over the years worldwide. Unique designs, commissions a speciality to provide jewellery for any occaision.

Patricia Nieburg

Open Studio  2025 @ White Trees 6 Demonstrations in the Studio Exhibition of  Drawings, Collages & Paitings the Teaching Studio / Gallery  including new small works just for the open studio Open Garden (approved by the National Garden Scheme in 2012) All visitors are welcome to explore the creativity in the garden too. Join us  for 'A Great British Garden Party ' serving homemade treats and refreshments raising money for the Nursing Charities supported by the  National Garden Scheme   My work is all about the importance and understanding of drawing; I find it difficult to separate myself from the vitality of it and the need to do it, making it a vital foundation of my work and teaching practice.  ‘Drawing’ is where it starts in my sketchbooks  & what continues to be about which ever medium I choose setting in motion the development of an idea plus a sense of renewal and continuation. I see the collage work as  ‘drawing’ with shapes of paper and colour.. My work is held in private and public collections internationally and I  was a winner at Mini print International in Cadaquès in 2021/22      

Julie Reid

My oil paintings and drawings are of expressionistic themes of portraits and the Caribbean featuring prominently. Other portraits are of outsiders like clowns & tramps. Most oils are large size. Showing 50 years of my painting and poetry. "Travelling Shoes-My Story" (2018) is a book showing 20 years of my art & poetry, oil painting themes include Jamaican portraits and idiosyncratic characters like Nobby the Tramp. Painting/ Drawing/ Poetry.My Book Travelling Shoes is available for £15. Cash payments only. My second book ''Last Orders''(2024) ''50 Years of my art and poetry in Peterborough''  is available now £15. If you would like one contact me 01733 239351 or by my email.   [caption id="attachment_4807" align="alignnone" width="533"] Graham Ward - The Red Tree 2015[/caption] [caption id="attachment_4832" align="alignnone" width="533"] Graham Ward Three Rockabilly Girls 1997[/caption]   [caption id="attachment_4824" align="alignnone" width="533"] Graham Ward Woman with Washing Line 2011[/caption] [caption id="attachment_4820" align="alignnone" width="300"] Graham Ward Paul the Horse Dealer and his dog[/caption] [caption id="attachment_4816" align="alignnone" width="246"] Graham Ward Slave to Love 1993[/caption]

Graham Ward

Handbuilt decorative ceramics including jewellery and small hanging pieces which may incorporate wires and chain links.I'm still working with oxides and have incorporated this technique in the recent development of tiles accenting with subtle glazing, Disabled access, car parking, open garden and food & drink all available.

Cheryll Cadman

  An experimental artist who loves to capture light and colour, using a variety of media. My paintings are inspired by my surroundings which are captured in a loose and free style. Some of my work is in an abstract style which allows me to experiment with texture, shape and moods.  

Deirdre Blackburn

I am not participating in this year’s Open Studio event, but happy for you to contact me if you are interested in viewing or purchasing my work. I will be exhibiting at Potfest in the Park, Hutton in the Forest on 25th, 26th, and 27th July, and hope to host another Christmas event in the studio at Grange Farm, as part of the “Festive Doodah” in December.

Denise Brown

My inspiration comes mainly from the infinite form, patterns & colours of nature.  Nature's palette with a pinch of the abstract, Islamic geometry - bright, vibrant and usually lots of swirls!  Designs incorporating glass and ceramic tiles, gemstones and beads, with an Islamic/Arabic influence. Beginners/intermediate mosaic workshops offered - please contact me for details.   [caption id="attachment_4658" align="alignnone" width="300"] Community mosaic paving stone now installed in the Green Backyard gardens[/caption]     I have designed and coordinated several community mosaics in and around Peterborough.  The biggest & most recent one being the Froglife mural, commissioned by the charity Froglife and installed at the Green Backyard on Oundle Rd.  This 4ft by 8ft glass mosaic mural was created with the help of over 100 volunteers (most of whom were complete beginners in mosaic art) and took 5 months to complete through workshops held twice a week at The Green Backyard.  It is situated on the back of a sheltered bench, beside the pond and depicts images of plants and animals found in and around the pond.    The mural represents a celebration of the community who came together, braving some of the coldest winter months, to create a masterpiece! [caption id="attachment_4656" align="alignnone" width="600"] The Froglife mural installed at The Green Backyard, Peterborough.[/caption]   Last year I was commissioned by the Uppingham In Bloom Committee to deliver a community mosaic project in Uppingham, Leicestershire.  We designed and created a beautiful mosaic flower-covered stone plinth to commemorate and celebrate 35 years of the annual 'Uppingham in Bloom' event.  This piece was installed in one of the flower beds in the town centre & Uppingham went on to win the East Midlands In Bloom Gold Award 2018  

Mahemuda (Muni) Arsalani

Looking forward to welcoming you back to PAOS 2025 Decorative and functional ceramics and evocative semi-abstract paintings will be on display. My paintings and ceramics investigate structures, shapes and colours inspired by our natural world. The detail and pattern often overlooked in our busy lives is of special interest. I love how texture allows a play of light and shadow on the surfaces of my work. My aim is not to attempt to mimic nature but rather describe the qualities of a subjective experience intuitively, thereby encouraging the viewer to ‘feel’ their own interpretation of what they see in my work. My garden has become a bigger canvas for my artistic expression and is open for you to explore and enjoy. Delicious homemade treats available which can be enjoyed in the picturesque garden where mosaic will be on display. Proceeds from refreshments donated to Sue Ryder. “Hand-building clay into objects inspired by nature’s forms and structures is an extension of my textured, atmospheric painting". I strive to create a beauty in imperfect harmony known in Japanas Wabi Sabi: Enjoying the moment and life’s simple pleasures...I hope these hand-built objects bring simple pleasure. Sea, Sky and lanscape inspire my work. These richly textured  and atmospheric paintings are semi abstract and expressionistic. Rather than mimic nature, I prefer to describe the qualities of a subjective experience. [caption id="attachment_24881" align="alignnone" width="438"] Ceramic Wall Art[/caption] Ceramics is an exciting and natural progression of my work. Hand-building and manipulating clay into objects inspired by nature’s forms and structures is an extension of my textured, atmospheric paintings. Latest work includes ceramic Wall Art, currently showcased in galleries around the UK.   Previous and current exhibitions include: V&A London in the ‘Inspired by…’ Exhibition Cecelia Colman Gallery, London VK Gallery, St Ives, Cambridge Ferrers Gallery, Ashby de la Zouch Atholl Gallery, Perthshire Dotty Gallery, Twyford, Leicestershire Doghouse Gallery, Comber, Northern Ireand Whitehouse Gallery, Kirkcudbright, Scotland Solo Gallery, Sheffield Strathearn Gallery, Crieff, Perthshire Neil's Gallery, Filey, North Yorkshire Inspired by Gallery, Danby, North Yorkshire Moors Stamford Arts Gallery Art in the Heart, Peterborough Rutland Open Art, Rutland County Museum Oakham Peterborough Museum and Art Gallery  Atelier East, ‘Best in Show’ 2011 www.reneviner.co.uk    

René Viner

[caption id="attachment_24971" align="alignnone" width="278"] Of People - oil[/caption]   Prue’s Paintings Prue Pye's life paintings contain a quiet presence reflected in earth colours and are the main body of her work. Abstracted landscapes described in sweeps and blocks of colour are also a favoured subject. "My wanting to paint is a wanting to explore the ordinary and extraordinary of humanness. Drawing or painting in ways that communicate or speak of recognition and familiarity." Collaged pieces have become a renewed addition to my current work. I use painted pieces torn from my own work, or monoprints prepared on tissue. These torn pieces are added and worked over or through into the background usually towards an abstracted landscape   About Prue Born and raised in Africa, my fine art studies as a mature student led me to discover and develop life paintings with a contemporary feel. A need to express myself in colour gave me a language in paint. I had taught botanical studies and the modelling of flowers for many years and these tiny, fragile pieces later     turned to the direction of larger, expressive painting. Formal art training AS level – 3D Art and sculpture - Jun 2001, Grade A BTEC Diploma; Foundation Studies: Art & Design; Specialism, Fine Art - Jul 2000, Distinction A level - Art and Design; Fine Art - Jun 1998. Grade A   Walk with me to the Blue Horizon - small acrylic collage on board   Prue’s Work is held in private collections in The USA - New York, Washington, York/Pennsylvania, Baltimore Canada - Vancouver The UK - London, Stamford, Rutland, Peterborough, Weybridge, Scotland - Glasgow, Yorkshire South Africa and Zimbabwe     Into The Void - acrylic collage  

Prue Pye

[caption id="attachment_23261" align="alignright" width="250"] The Chestnut Tree at Burghley House. Near the shop.[/caption] [caption id="attachment_22130" align="alignnone" width="250"] Flower Display at Burghley House. near to the Orangery restaurant.[/caption] Paul's work can be seen and purchased if desired on https://www.artintheheart.co.uk/store/paul-saunders-photography/ Paul, a Peterborough-based photographer, produces traditional, art photography and photo restorations. His speciality is Art Photography and photo restoration. He has become known for his Edwardian actress restorations. A number of restorations for private clients have been commissioned and completed to their delight. The restoration process can be either a straightforward tidy-up of small marks or corrections. For instance, from, say sepia toning back to black and white or vice versa. A tidy up or tinting, removing backgrounds, and people, and adding new images of people or new backgrounds. Art photography is his main interest at the moment. As he completes each image, his enthusiasm for probing further in this direction increases. Many people may think that photography is a poor relation to 'proper' art but Paul states, 'many hours over several weeks can be spent setting up a photo, and there can be no certainty of a successful outcome, there are many failures, but Paul says there is a great feeling of satisfaction when an idea comes to fruition.. Paul says that working with glass is especially difficult. However much it is cleaned before the image is taken it seems to attract any passing dust. Working with glass and backgrounds with straight lines can also be a challenge. You will see the finished article in his exhibition but you won't see the hours spent getting everything as perfect as possible. Paul's restoration experience comes in very useful during the post-processing of the image. [caption id="attachment_23256" align="alignleft" width="126"] A large, 20 x 16 inch photo before restoration. This image was in many pieces, dry and crumbling.[/caption] [caption id="attachment_23257" align="alignright" width="160"] The restored image. This was an oval image, so the black edges were removed.[/caption]     Paul will be happy to assess photographs for restoration, commissions accepted for photo restorations. Although he is not exhibiting this year photos can be sent by email for evaluation.   Paul also has work displayed on, https://www.artintheheart.co.uk/store/paul-saunders-photography/ Paul Saunders - YouTube              

Paul Saunders

I paint mainly in oils and acrylics and inspiration comes mostly from places I have visited in the UK and abroad. I prefer variety in what I do but, however hard I try to vary my work and not have a "style", I always revert back to landscapes.  I do like to have fun with the occasional abstract, though. Visitors can expect a warm welcome at our Open Studios weekends. We like to provide a friendly atmosphere while you enjoy the art and garden and maybe even a glass of Pimms!        

Linda Dalton

I am a mosaic and textile artist working in Peterborough. In mosaics I use hand cut patterned, plain and mirrored glass with recycled ceramics. I create panels for indoors or outdoors, mirrors, vases and hangings. I just love experimenting with colour and its interactions in my mosaic and textile work and both feed off each other. In 2002 I did a 5 day intensive mosaic course under the tuition of Luciana Notturni at www.mosaicschool.com in Ravenna Italy. Although based on traditional methods it gave me confidence to experiment and find my own style. I love mixing glass with old ceramics, anything really that makes a piece cohesive. With textiles I layer silks and sheers and create new surfaces which I then free machine stitch. [caption id="attachment_25012" align="aligncenter" width="242"] Layered silks and sheers machine embroidered with added hand embroidery.[/caption] [caption id="attachment_25199" align="aligncenter" width="300"] work-in-progress[/caption]

Kay Hall

[caption id="attachment_23550" align="alignnone" width="600"] Tryptych[/caption] I am still really enjoying experimenting with mixed media and the effects I get in a semi abstract way. My intention last year was to use watercolour like that, but I keep reverting back to acrylic!!

Judy Horman

I draw, print and paint figures and objects in exterior and interior spaces. Colourful acrylic, water colour and ink paintings, plus mono and lino prints on display. I am inspired by the people and life around me. [caption id="attachment_14084" align="alignnone" width="600"] Figs and phones, acrylic on canvas[/caption] [caption id="attachment_13624" align="alignnone" width="487"] Texting, acrylic on card[/caption] Monotype printing demonstrations on request. [caption id="attachment_1035" align="alignnone" width="372"] Trapped, Monotype print[/caption]  

Josephine Kelly

I'm a children's book author and illustrator- I work predominantly in watercolour, soft pastel and collage, and love to draw animals! My eighth book, Balancing Bernie, features lots of dogs, and was published in November 2021 by Hodder Children's Books. I completed a degree in Graphic Design at Bath Spa University, specialising in illustration, followed by a Master’s degree in Children’s Book Illustration at Cambridge School of Art. After graduating in 2007, I began to write and illustrate picture books alongside teaching art classes in a primary school, during which I invariably managed to get more paint on myself than the children did! Now fully freelance, I create books and run children’s art classes from my studio (see Artivity), ably assisted by my basset hound, William. I also enjoy working in ceramics and have recently been working on a series of little dogs! Follow me on Facebook (Ellie Sandall Illustration) or Instagram (@ellie_sandall_illustration).

Ellie Sandall

[caption id="attachment_863" align="alignnone" width="600"] Christine Withall ceramic pinch pots[/caption] My clay journey last year paused but this year I will begin to explore some ideas and forms that have been in my mind’s eye from experiences and viewed images. Always a pleasure to return to Grange Farm with Denise Brown, there will be Raku and Pit firing demonstrations on both days to enjoy along with cakes and refreshments. Lots of space for parking too. If you feel like a stroll there is a beautiful meadow with a mown path to amble through, with wild flowers, grasses,insects and butterflies. You might even find some treasure. Tablet Boxes Porcelain Hearts  

Christine Withall

Pictures about how I see life. To get more of an idea of what I do please have a look at anniebellamy on Instagram or Ann Bellamy pictures on Facebook          

Ann Bellamy

Join me for a number of classes at Peterborough Museum throughout the year. Figure and observational drawing classes (Thursday evenings 6-8pm) and day workshops can be booked through the Eventbrite pages linked to the Peterborough Museum website hope to see you there!  www.peterboroughmuseum.org.uk I am pleased to present my latest exhibition this one is at Peterborough Museum and Art Gallery, 51 Priestgate, Peterborough PE1 1LF, from the 8th November to 29th November 2025: 33 Suns and Comet Variations, James Tovey 2025  Colour palette and aesthetic investigations towards embroidery designs There is so much I would like to write about the making of this exhibition, I have had some difficulty making it into a summary info board or leaflet for the show. Beyond digital space It has been immensely enjoyable putting this work together, partly as it brings together a few favourites in terms of art influences, but also has enabled free composition and unhindered direct use of the materials to hand. The concentration on the physical properties of the paint and inclusions has been deliberate. Partly it brings the manifestation of the images forward of a screen and surface, which has a vast appeal to me at the moment. It also adds a sculptural element when the paint is wet, and it also allows for glazing and effects - without the requirement of enslaving them to a space behind the surface that more (using the lay terms) ‘Photographic’ or ‘Figurative’ approaches might. Themed projects & objects They are though still pictures of objects: suns (stars), moons, comets. Symbolised, abstracted, derived from paper and wooden models; some painted after researching on the internet, others made from my own photographs using long telephoto lenses on a modern digital camera. A number of the designs are inspired directly form group workshops I have been involved in providing at Westraven Community Garden and the Learning Tree Kindergarten, in both cases the young people’s work has been up on display for visitors to see. Mysteries of space 2025 has brought a number of exciting physical phenomena together that are to some extent observable by many of us, and yet distant enough to still be abstract and mysterious: • We have a number of comets arriving at similar times in the near proximity of the earth andinner planetary solar system, • We have our own sun emitting large solar storms that are still building in magnitude and may soon or during this exhibition be interacting with the earth. • An interstellar object, 3i Atlas - possibly a large comet five or more km across - is travelling on past, on a very similar plane to the Earth and the other solar system planets orbiting our sun. • Betelgeuse, one of the closest supergiant stars to earth and 700 times larger than our sun has been found to have a companion star close by. It is also dimming and brightening in the sky, with this being attributed to sun spots. Although its explosion has been suggested, it is not thought to be occurring imminently. In his later works the French artist George Braque painted birds, suggesting they were the true free inhabitants of the planet, able to cross national boundaries and roam where they wished. We know of course through studies of bird migrations and their abilities at finding their way, a bird’s roaming ability is more nuanced than total freedom. It could be thought that comets are the universe’s free travellers, transecting vast distances over time periods beyond our human understanding, but they too are subject to explosive, gravitational, thermal and electromagnetic forces from their starting point to their termination in collisions or inclusions into a planetary body, atmosphere or starry inferno. Creative needlework embroidery kits During 2024 my wife and I started working on a joint project of putting together embroidery kits in a format that would enable new and more experienced embroiders alike to overcome the three main obstacles to creative needlework; namely the thread colour selection, the guide drawing and the choice of an essential number of stitches any given design could utilise. The subject for first kits would be cosmic inspired as the variety of exciting ideas to draw from is vast and universal to us all. It also followed from my own interests and previous artwork subjects. For example, the ‘33 Suns’ series here was an idea for an exhibition I started discussing with people in 2016 but other projects have got in the way. The product So to cut a story short, on display are some of my explorations and ideas on the journey as to how the embroidery compositions, colours and thread combinations came about and could go together - their colour relations and interaction. I wanted to aim towards making alternative aesthetic products so they could be seen side by side, partly so my wife and I could see which felt more appropriate for a particular kit composition and colour scheme and as well to envisage how a kit would feel to live with in a domestic setting. FAQs Why paint them? Well making an acrylic painting is measured in hours, day and possibly weeks, whilst making embroideries is measured in magnitudes of days, weeks and months or longer. Why not make them digitally? The compositions are translated into digital line drawings for the embroidery kits, but a screen cannot give the same physical feeling as the object. The pigments used are perceived differently, as reflected light from granulations, surfaces and translucent compounds behave completely differently from light transmitted from a pixel. The touch, feel and aesthetic magical qualities of previewing an embroidery design are not adequately conveyed from a tablet or screen alone. Some of these designs have already been made into kits; other designs may go no further but have been manifested and given the opportunity to interact on a human scale. A selection of the embroidery kits is available to buy at the exhibition and a wider range at the Peterborough Museum Christmas Fair at the end of November, you can also browse online at www.yellingtreepress.co.uk, for more information and the online shop. AI could make it? No it can’t. This is for humans. More paintings will be available online at the end of this exhibition, search for James Tovey artist or Toveyarts on Google. [caption id="attachment_27222" align="alignnone" width="450"] A photograph of James Tovey artist studio, with two paintings of comets on the easel, 2025[/caption]

James Tovey

  My work is very diverse in subject matter and I work in a variety of mediums such as pencils, charcoal, pastels, oils and watercolour. The majority of my art being self-taught but I also undertook some formal fine arts training at the London Guildhall University. Originally trained as a graphic designer, I worked in the music industry producing record sleeves and printed materials for a period that exceeded 20 years. Almost half of this time spent managing my own graphic studio.   Since my first solo exhibition in 2008 I have been showing my work regularly and is pro-active in promoting and documenting local art in Peterborough. As well as producing a small quarterly newsletter, I am also an active committee member of two local art groups.   Follow me on: Twitter Facebook Instagram and Google+

Tony Nero